Showing posts with label singer. Show all posts
Showing posts with label singer. Show all posts

March 29, 2012

Second Life Music Venues VS Artists: Who's doing WHAT?!?!?

To be or not to be? No wait, how about to promote my own business or let the artists do it for me?

Sounds silly right? Well don't be surprised when I tell you that I have personally come across music venues in Second Life that do absolutely zero promotions, zero events listings and pretty much zero across the board, relying solely on the artists to do it all. In nearly five and a half years of constant performing in Second Life, I've pretty much run the gauntlet at least a few times, of the different venue types and venue owner types. I'll simply categorize the latter into A and B. OWNER A does the work... OWNER B can give a rats ass about their own venue, its marketing, promotions, and just complete ignorance when it comes to the business side running of their venue.


Recently, Brandy (Kalli Birman in SL) who you know as my manager and business partner in SL, booked me a gig at a venue. Mainly because it's fitting, we'll call this venue Deuchebags! Now Deuchebags is more of a shopping spot but they wanted to try some live music to add to the DJ events they currently have.


Of course at the time of the booking, Brandy gave Deuchebags the notecard which indicates that, prior to the event, we ask that the venue do X, Y and Z, simple and not time consuming tasks for the betterment of the event and what any rational person would consider, such as listing in SL Events, posting in social networks, sending to their own SL group(s), and other simple and obvious marketing.


Three days before the scheduled event, the event listing is finally listed, but for the wrong time. Brandy politely asks for a correction. A day later, Deuchebags replied saying they were having difficulty. Ok that's possible, I guess, SL gets borked at in some way least 3 days a week. A day later, the correction is made with an entirely new event posted in Events, and the first, incorrect event, is still there. Hmmmmm. Red Flag number one.


Heading over to the venue, Brandy asked "where would you like Mankind to setup for the show... where's the stage?" She was met with "We were hoping you guys could provide one!" Hmmmmm. Red Flag number 2.


After repeatedly trying to contact them over and over and not getting any reply for about half a day, I realize that these people are seriously lacking in Communication Skills. I mean ok people have to work RL, I get it, I do too. However, if you're going to bother HAVING a "live music" venue, then it's not plug and play like simply turning on a stream to play a radio station or streaming a playlist from iTunes. Hmmmmmmm. Number 3.


So it dawns on me, Deuchebags has absolutely no clue what they're doing and no idea of how to run a venue. More than that, they are sadly lacking in business and yes, personal ethics... and they're not alone. I'm sorry to say there are others who, put bluntly without any powdered sugar, have no clue how to run a venue. The simple proof of this is in the venue turnover rate. How many venues have come and gone in the past 2 years alone? 


So this leads me to the point of this post.



In nearly 5.5 years of live performing in Second Life, and as a business owner in RL for many years, I like to think I have a pretty good grasp on what the role of the venue and the role of the artists should be. As a professional business owner in Real Life for a long time as well, I also believe that many things carry over from RL to SL.


Here's what I'd like to share. I offer this to any live music venue, new or existing, with the hopes that you will read between the above sarcasm, and take it seriously. Honestly, it's only meant to help. 




The Venue:


The live music venue is a business... plain and simple. A business like any other. A business needs to promote, market otherwise display what it is they are offering, their products and/or services. Like any other business, a good Business Plan and Marketing Plan are very helpful when starting out but many businesses have succeeded without. Regardless of what type of business you plan on opening, one thing that is always needed is... WORKING CAPITAL! The venue owners will hope to recoup all or at least part of their investment in the first year, less than likely in SL so be prepared to not earn anything. To increase your chances, you might consider only booking artists that draw a crowd. If after a year, a performer isn't bringing in more than 20 attendees, it's probably doubtful that will change at your particular event with this performer. Go for the better known draw as this will translate into greater numbers and greater tips for your venue, that's what most venues rely on. If you have something cool, a niche, some product or very cool logo that you can brand on wearables and other premiums, offer them for sale to help offset costs.

When a venue sets up live events, they need someone to handle the publicity and PR so they need... MARKETING! Aaah the Marketing. Sadly, many venues I have played personally do not do a THING with respect to marketing. They rely on the artists. I mentioned in a recent Facebook Post that live music venues should take cues form those that have been in SL for a long time and those that might be newer but have very strong visibility. Places like Key West, The Whisky a Go Go, The Source, The Boom Pony, Ground Zero, and other... these are venues with very professional minded owners who recognize that, among other things, they NEED to do their own marketing in concert with that of the artists.


Part of your marketing plan should be researching the best and most appropriate places for your venue to appear. A Rock Club probably won't have a lot of click through on an ad placed on a classical themed website. 


Remember earlier I mentioned a venue needs working capital? A good chunk of it really needs to pay for marketing and advertising. I own a web design firm as one of my RL businesses. One of the services offered is Search Engine Optimization (SEO) which helps websites get higher results on searches. I tell my clients, without proper SEO, even if you have the coolest website, it will be like a water fountain in the desert.... without a "map", no one will know it exists! You need to be FOUND. The venue NEEDS to advertise, just like any business.

There are many great sources to advertise but always check with the website owners about THEIR traffic before you spend money. Find out how many "unique monthly page views" their website receives. I can tell you, as the creator of Second Friends, we see roughly 20,000 page views per month and personally, I probably would advertise on a SL devoted site that has 10,000 or more, provided it wasn't too specifically directed IE a website about virtual pets. Talk to Brandy if you're interested in Second Friends ads. There are not many available at this time but a few good spots are open.


For Brandy and I, well we are marketers to begin with so when I perform, it goes without saying that we do our  marketing for each and every event. Between SL, Facebook, Second Friends, websites, etc., roughly about 400,000+ eyes will see our marketing material but we make sure to work WITH the venues, to make sure we  are marketing along the same design avenues, that we are using similar or the same marketing collateral, to ensure a consistent flow for the event planning and promotions.


Not everyone knows the ins and outs of marketing, granted. Most artists, in both RL and SL want to get on the stage, perform and be on their way. I firmly believe that when at all possible, an artist really should play a more active role in the marketing and promotions of their own events... it just makes sense?

In order to have live music at the venue, an artist needs to be booked so it makes sense for someone employed by the company to be the scout to seek out talent appropriate for the venue. The venue definitely needs a... BOOKING AGENT!

For now, let's assume this is a new live music venue that wants to open in Second Life. A live music venue offers Live Music performed by a live musician, track singer, whatever you like. The musician they hire will need a place to perform so a Live Music Venue needs... a STAGE! Silly? Not really. Look at Deuchbags. They asked ME to provide a stage for THEIR venue! Enough said.


The Artist:

Like a venue, there is the business side to being a Second Life performer, but many artists in the world lack some of this important knowledge and rely on the venues to spread the word about their event. So here's the obvious scenario: The Venue who doesn't know business/marketing booking the artists who don't know business/marketing. What do you think the outcome will be?


This is why it's so important that both sides take an active part in the business side of what they do. There are SO many talented artists in SL that aren't getting the attention they deserve simply due to lack of knowledge on basic strategic marketing.



The artists, as I see it, should in the VERY least, do the following (and these are things I try to do myself):


• Promotional Poster - Make one yourself, hire a graphic designer, just get one for each and every event. It should include the artist's name, her picture (SL, RL or both), web address if applicable, even have it give out a link or notecard when clicked.

• Event Listing outside of Second Life - This can include creating an event on Facebook and inviting your friends. You can also post on Second Friends home page where you can list your event for free and include audio, video, text, photos links, etc. in your post. Post on your other websites and so on.

• Group Notices - Send an early notice to your group during the day (if it's a night show). Keep in mind there are many people from many different time zones in SL who may not have received this early notice, but you're going to send notices a half hour before the event anyways. This way you're covered.

• Personal Fan Group - Every artist should have started a Fan Group at the start of their performing in SL. Use it. Stay in touch. They are your friends and your family. They deserve the first crack at special events, to arrive early at shows and thus receive and earlier notice than the other music groups and general SL population.


• Second Friends Groups - Not to beat a dead horse but you have this free tool at your disposal. Why not use it? Create a Group on Second Friends. Once you do, contact either myself or Brandy and we'll get you a small banner you can place on your stage when you perform. It will link attendees right to the SF Group page where you can post just about anything a website can handle... like photos, videos, music, and so on. To be clear, the reason I created SF in the first place was because Second Life doesn't allow much in the way of media to be included in group notices or on notecards. A group notice in SL can handle text, textures, links and a notecard which is also limited to the same media. Second Friends allows you to share much more in the way of media, plus it ties in with your other social profiles like Facebook, MySpace, Twitter, etc. IT's a big time saver too as you can "push" your events to your other social networks with a few clicks. 
I'm not trying to push Second Friends in the post, do what you want. I just honestly feel it is a great tool. That's why I created it to be SHARED with everyone!

• For Bigger Events - We like to start promotions at least a few days ahead of the event, sometimes even a week or a few weeks. It really depends on the event itself. Events that you really feel are bigger and more deserving should have promotions started earlier. Just keep the same marketing material on all posts. What I mean is, try to keep the design of all marketing consistent from place to place, website to website, etc.



Well there you have it. I have a deep respect for those venues like the ones I mentioned above, who have taken it upon themselves to not only promote their business, but also help the artists you have yet to learn how to do it themselves, or find a great manager who knows how to handle the marketing. I am very fortunate with Brandy who is a true professional. We have become best friends and work very well together on many projects. As long as a manager understands you and your direction as an artist, then you are already ahead of the curve.


As always I wish you the best and if Brandy or I can be of any help, please do not hesitate to get ahold of us. Check out Brandy's Blog with some very useful info on the topic as well.


In closing, let me just give one more shout out to Deuchebags with a very high spirited "GET A CLUE!"



January 25, 2012

The Business Side of Second Life Music - Events Listings

Have you taken a look at the Events Calendar in "Live Music" lately? Over the past year or two, the number of events at almost any given time has been steadily increasing. While this is a great indication of a thriving music community, the listing system itself lacks in organization.

I made mention a few weeks ago about a conversation I had with a few people at LL offering a simple idea to address this growing problem. As you look at the "Live Music" listings, it is a jumble of Live music, DJ events, Track Singers, Tribute concerts etc. If you feel like going to a clubbing event with a kick ass DJ, then we shouldn't have to try to weed through 50 others that have nothing to do with what we're looking for. If we want to go see a live performance, where the artist is playing live and singing live, the same applies... same with track Singers, Tribute concerts, and so on.

The idea I proposed to Linden Lab is very simply to add a few levels of categorization. So under a top level Event header of say "Music", there can be a drop down for each category, Live Music, Track Singers, DJ Events, etc.


This will help in a few ways. First and most obvious is that it makes it easier to find what you're looking for.

Second, it makes it better for those who are putting on the events. With the new system, their events will be more highly visible and in the Category they need to be in.

Third, there's no reason a live performer should have to compete for a time slot and advertising space with a DJ event. They are two different genres of music/event.

In my opinion, implementing these minor changes (as they don't require a ton of code or hours and hours of programming) can make a HUGE difference in the overall Second Life experience, especially for new users who may not be entirely familiar with SL to begin with.






November 22, 2011

There's only a first "first"! A background.

Seth Regan performs as Mankind Tracer in Second Life


As the first post for this new blog, I would like to give a bit of background on my musical journey.


As a little boy growing up in new York, for some reason or another I always took notice in the sounds I was hearing. My parents both loved music and there was always music playing in the house, be it Frank Sinatra, Sammy Davis, Johnny Mathis, or other 40's - 60's popular music. I can remember the record player we had and how my mother would teach me how to use it. I took some piano lessons and all of my teachers were amazed with how I would pick things up by ear. I guess I was lazy and didn't really want to spend the time learning how to actually "read" the music. But I can remember being able to hear a melody and pick out the main notes on piano. I suppose I lost interested in piano until my early adult life but soon after moving and losing my piano teacher, I found the guitar.



My professional music career started in Greenwich Village, NY. I was sixteen years old and I was offered a 3 song set at a place called The Back Fence. A bunch of friends and family came out to support me and I had SUCH a blast. 15 minutes of live performing and I was hooked. I tell you, I've never tried heroin, nor will I, but they say it's very addicting. After 30 years, I can tell you... live performing should be illegal! I'm kidding of course but it's definitely addicting.


Fast forward to post college: One of the bands I toured with was called Route Nine. A couple of guys were looking to form a band. I auditioned and two days later got the call that I was in. So the first step was to compare notes and just jam together, feel each other out and put a solid song list together that we were all comfortable with. Now myself, having come from doing acoustic gigs and maybe toying with a band here or there (Toying: Def: Screwing around, not serious) this was all kind of new to me. There was that sense of "can I rely on these guys during a live performance?" at first. But you know, that quickly vanished. Our first show was at a Lion's Lodge or some place like that. We rented the place out on a Sunday and invited everyone we knew and you know, about 200 people came out to support this new band that their friends and family had put together.

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A few months go by and actually quite quickly, the word was spreading on us. Here are these four guys: One amazing guitarist, one solid bass player with skills and an awesome voice, one drummer who didn't know the meaning of the word "volume" and me, a singer and guitarist more interested in "how quick can I turn this into more women"! But faster than I knew it, we became a very well known cover band touring up and down the eastern USA and we got this stigma as THE rock party band. At the time, I had hair down to my butt and most gig nights consisted of a shot and a beer after setup and as the night progressed, more shots and beers and a topless and pretty buzzed "me" up on the bar with a wireless mic (usually accompanied by one or two similarly clad groupies). I mean who was I to turn down drinks from fans? Holy bat snot that was SO much fun... VEYR hard to do night after night but FUNNNNN!!! But we were young, oh and our drummer was quite DEAFENING! I mean come on Bert! We even tried caging "the animal" in a plexiglass cage but lasted about two weeks.


The problem with drinking and playing live is that the more you drink, the deafer you get and the more the instrumentalists need to turn up (closer to 11)! MY problem is that a singer can only push so much air, even the loudest opera singers have a limit. Also, raising the mixer volume on my vocal channel can only go so high before I blow the speakers... and MANY eardrums! So there I was most nights, coming to the final half of the third set, half deaf, half drunk and half dressed. But you know, I wouldn't change a thing. We had so much fun! I can go on and on with the stories but at the end of the day, after all was said and done and "Last Call" came around, it wasn't so much the fame. I mean let's face it, we weren't Pink Floyd in Madison Square Garden. But we had a tremendous following. No it wasn't the fame. It was the friendship, comradery and brotherhood between these four mid twenties guys who all had common goals and faith in each other. We so enjoyed being on that stage and partying together. It was a brotherhood. Yes. THAT'S what I enjoyed most.


So when you go out to see bands perform, enjoy the music, of course, but also don't take for granted the incredible amount of time and effort that goes on BEFORE the shows... AFTER the shows. Even in Second Life. There's rehearsal and more rehearsal. There's setup time. Beyond the "image" that fans get, there IS work that is done.


But look at the band members, see if they have that chemistry with each other, because I can tell you, Route Nine was ALL about that chemistry (and of course the booze and babes). I think it was that brotherhood that we shared which made our shows so incredible for us to play and put the amazing amount of effort in... to ensure they were the best they could be for our fans.


The brotherhood... I miss that.


Then Came Second Life....

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